Welcome to season four of The Critic and Her Publics: The Art of the Interview . In this edition, host Merve Emre engages a range of seasoned interviewers to discuss how they obtain the responses they seek, what constitutes a strong question, how to listen for what isn’t said, and how far you need to push a guest to elicit something new.
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From the episode: “I don’t understand why people talk to Isaac Chotiner when his reputation precedes him. He’s the best interview-assassin at work today, maybe the best ever. I suspect that each guest thinks they’ll be the one to finally best Isaac—and Isaac makes good work of that hubris. He calmly and respectfully dismantles arguments that people make about everything from the wars in Ukraine and the Middle East to gerrymandering, genocide denial, and deportation. But he also has an obvious appreciation for deep knowledge, and for each ‘gotcha’ interview he conducts, there’s an expert interview, one where he lets someone who knows their trade inside and out explain it to his large and growing leadership.”
A full transcript is available at the New York Review of Books.
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The Critic and Her Publics Hosted by Merve Emre • Edited by Michele Moses • Music by Dani Lencioni • Art by Leanne Shapton • Sponsored by Alfred A. Knopf
The Critic and Her Publics is a collaboration between the Shapiro Center for Creative Writing and Criticism at Wesleyan University, New York Review of Books, and Lit Hub.
